Khan Lee

Born 1972, Seoul, Korea
Lives and works in Vancouver, BC, Canada

Education

2020–2024

  • MFA, Bard College, Annandale-on-Hudson, NY

1996–2000

  • Emily Carr Institute of Art and Design, Vancouver, BC

1991–1993

  • Hongik University School of Architecture, Seoul, Korea

Solo Exhibitions

2026

  • Equinox Gallery, Vancouver (forthcoming)

2025

  • “”, Sweet Cereal Mountain, Vancouver

2022

  • Lost + Found, Equinox Gallery, Vancouver

2020

  • Hearts and Arrows, Mount Pleasant Community Art Screen, organized by grunt gallery, Vancouver

2019

  • Wings of Desire, Republic Gallery, Vancouver

2016

  • 흉내내기, Republic Gallery, Vancouver
  • Ascending: Black, White, and Brown, installation in collaboration with Andrew Yong Hoon Lee, Dynamo Arts Association, Vancouver
  • Take Your Time, Republic Gallery, Vancouver

2014

  • Shunt, Kamloops Art Gallery, Kamloops, BC
  • Hearts and Arrows, outdoor screening, Tottori Residency Festival, Yonago City, Tottori, Japan

2013

  • Hearts and Arrows, curated by Makiko Hara, with an essay by Jenifer Papararo, Centre A, Vancouver

2012

  • Circulation Patterns, two-person exhibition with Michelle Allard, curated by Rachel Lafo, SFU Gallery, Burnaby, BC

2009

  • Untitled, curated by Makiko Hara, Centre A, Vancouver

2006

  • Summer2005, curated by Steven Tong, CSA Space, Vancouver

Public Artworks

  • Reflection, permanent public sculpture, commissioned by Anthem, installed 2026, Burnaby, BC
  • Bell, permanent public sculpture, commissioned by Pinnacle Living, installed 2021, Richmond, BC
  • 108 Steps, permanent public sculpture, commissioned by Westbank Corp., installed 2018, Vancouver
  • Rain, permanent public sculpture, commissioned by Edgar Development, installed 2017, Vancouver
  • Red, Blue, Green, temporary public art work at Offsite, curated by Diana Freundl, installed 2016, for Vancouver Special: Ambivalent Pleasures, curated by Jesse McKee and Daina Augaitis, Vancouver Art Gallery
  • Ich Cho Shin Mu, temporary public artwork, organized by AIR75, installed 2015, Yonago City, Tottori, Japan

Selected Group Exhibitions

2026

  • Highlights from the Collection, Vancouver Art Gallery

2025

  • Hearts and Arrows, outdoor screening for Luminocity, organized by the Kamloops Art Gallery, Kamloops, BC
  • Sound performance in collaboration with Ben Bennett, Woojae Kim, and Rahul Nair, for Resonance through the haze, Helena Gutteridge Plaza, Vancouver

2024

  • Stage Presence, Bard MFA Class of 2024 Thesis Exhibition, Bard Exhibition Center/UBS Gallery, Red Hook, NY
  • Black and White and Everything In Between: A Monochrome Journey, curated by Diana Freundl with Joanne So Jeong Chung, Vancouver Art Gallery

2023

  • Supply Chain Issues, MKG127, Toronto, ON

2022

  • 50 Years | 50 Stories, Equinox Gallery, Vancouver

2018

  • Composition for Seven Pianos, installation and sound performance at Robson Square, for Ten Different Things, organized by Emily Carr University and CityStudio, Vancouver
  • People’s Salon, outdoor installation and performance at Cathedral Square Park, in collaboration with Andrew Yong Hoon Lee, for What Are Our Supports, curated by Joni Low for Richmond Art Gallery, and hosted by Or Gallery, Vancouver

2017

  • Blue, outdoor installation for Lumière Festival, Vancouver
  • Red, Green and Blue, outdoor installation for Nuit Blanche, Winnipeg, MB
  • Red, Green and Blue, outdoor installation for Nocturne Festival, Halifax, NS
  • Leaning Out of Windows – Step One, organized by Dr. Randy Lee Cutler and Ingrid Koenig, Emily Carr University of Art + Design, Vancouver
  • Here: Locating Contemporary Canadian Artists, curated by Swapnaa Tamhane, Aga Khan Museum, Toronto, ON

2016

  • An agreeable state of uncertainty, curated by Stephen Waddell, Vancouver Art Gallery, Vancouver

2015

  • All is now from here on, site-specific installation at ALSCO Laundry, in collaboration with Holy Hum (Andrew Yong Hoon Lee), for ISEA2015: Disruption, 21st International Symposium on Electronic Art, Vancouver

2012

  • Beyond Vague Terrain: The City and the Serial Image, curated by Jordan Strom, Surrey Art Gallery, Surrey, BC

2010

  • Magic, tegenboschvanvreden, Amsterdam, the Netherlands
  • Everything Everyday, curated by Bruce Grenville, Vancouver Art Gallery, Vancouver
  • Soapbox, featured work for New Forms Festival 2010, curated by Malcolm Levy, W2 Storyeum, Vancouver

2008

  • Return Policy, curated by Julianne Claire, Shudder Gallery, Vancouver

2006

  • Why I’m so unhappy, curated by Michèle Faguet, Or Gallery, Vancouver

2004

  • Velo-mutation, kinetic sculptures, produced by Sara Ross, Jim Hoehnle, and Khan Lee, various locations, Vancouver
  • EVENT, curated by Sarah Macaulay, Old Electric Building, Vancouver

2003

  • Raw Potential, design exhibition, 44 Water Street, Vancouver
  • No apologies necessary, design exhibition, Prince Takamado Gallery, Tokyo, Japan

2000

  • Sound Separation, curated by Jonathan Middleton, Western Front, Vancouver

Publications and Reviews

2024

  • Offsite: The Anthology, edited by Stephanie Rebick, co-published by Vancouver Art Gallery and Information Office
  • Michael Turner, “Black and White And Everything in Between: A Monochrome Journey,” Preview (Sep/Oct)

2023

  • Leaning Out of Windows: An Art and Physics Collaboration, edited by Randy Lee Cutler and Ingrid Koenig, co-published by Occasional Press and Emily Carr University of Art + Design
  • Adam Lauder, “Supply Chain Issues,” in Esse 108 “Resilience” (Spring/Summer)

2022

  • What are our supports?, edited by Joni Low, co-published by Richmond Art Gallery, Information Office, Doryphore Curators Society, and Art Metropole

2019

  • Justina Bohach, “Khan Lee at Republic Gallery, Vancouver,” Akimbo, February 26
  • Rhys Edwards, “Khan Lee,” Canadian Art, March 21

2017

  • Leah Sandals, “What Makes a Canadian Artist?,” Canadian Art, July 20

2016

  • Vancouver Special: Ambivalent Pleasures, edited by Daina Augaitis and Jesse McKee, co-published by Vancouver Art Gallery and Black Dog Publishing
  • “Review: Red, Green, Blue,” e-flux, December 15
  • Grady Mitchell and Tina Shabani, interview, 01 Magazine, issue 12

2014

  • Michael Turner, “Kamloops’ Luminocity Paints the Town Blanche,” Canadian Art, November 18

2013

  • Curran Folkers, “The Five Best Art Shows of 2013 in Vancouver,” The SB Blog, December 19
  • Robin Laurence, “Fall arts preview: Artist Khan Lee creates new meanings,” The Georgia Straight, September 11
  • “Khan Lee: Bringing Universality to Art,” Schema Magazine, August 14
  • Michael Turner, “Q&A: Haema Sivanesan on Centre A & Vancouver Scenes,” Canadian Art, July 25
  • “Khan Lee: Hearts and Arrows,” Here and Elsewhere, July 16
  • Kevin Griffin, “Art as labour: Carving an ice diamond one chip at a time,” Art Seen: The Vancouver Sun blog, July 3
  • Amy Fung, “Khan Lee at Centre A,” Akimblog, June 25
  • Fany Qiu, Epoch Times, June 17
  • Robin Laurence, “Khan Lee’s Hearts and Arrows ponders the nature of perfection,” The Georgia Straight, June 7
  • Rachel Dudley, “Centre A launches video installation by local Asian artist,” The Source, May 20

2012

  • Robin Laurence, “Circulation Patterns at SFU Gallery appears oddly incompatible—at first,” The Georgia Straight, April 3
  • Michael Harris, “Review: Beyond Vague Terrain, Surrey Art Gallery,” February 1

2010

  • Rachel Lafo, “Review: Untitled,” Sculpture Magazine, November

Selected Collective Practices

Instant Coffee

  • Instant Coffee is Jinhan Ko, Khan Lee, Kate Monro, and Jenifer Papararo; for a complete list of public artworks and exhibitions see www.instantcoffee.org

Public Artworks

  • Say nothing in bright colours, public artwork, installed 2015 for the City of Burnaby, Burnaby, BC
  • Perpetual Sunset, permanent public artwork, installed 2012 for the City of Richmond, Richmond, BC
  • Afghan Mural, permanent public artwork, installed 2011 for the Commonwealth Community Recreation Centre, Edmonton, AB
  • Nothing happens in good weather, temporary public artwork, installed 2011 for Celebrate Vancouver 125 Mural Program, Vancouver
  • Light Bar, temporary public artwork commissioned by the City of Vancouver Olympic and Paralympic Public Art Program, installed for for Bright Light Public Art Project 2010, Vancouver
  • A Bright Future, temporary public art work, organized by City of Vancouver and TransLink, installed 2009 for 88 BLOCKS Art on Main, Vancouver

Exhibitions

2023

  • Bibliography, group exhibition, MKG127, Toronto, ON

2019

  • Pink Noises: we waste time, MKG127, Toronto, ON

2018

  • Pink Noise, One&J Gallery, Seoul, Korea
  • Pink Noise Pop Up, grunt gallery, Vancouver
  • Record Shop, group exhibition, MKG127, Toronto, ON

2014

  • The hero, the villain, the salesman, the parent, a sidekick and a servant, Teck Gallery, SFU Galleries, Vancouver

2013

  • Take the easy way, MKG127, Toronto, ON

2012

  • Feeling So Much Yet Doing So Little: 12 years of Instant Coffee Projects, Western Front, Vancouver

2011

  • There is No Romance in Taking a Risk, MKG127, Toronto, ON

2009

  • Disco Fallout Shelter, Subvision Festival, Hamburg, Germany
  • Disco Fallout Shelter, Toronto Sculpture Garden, Toronto, ON
  • Nooks, for How Soon is Now: Contemporary Art from Here, Vancouver Art Gallery
  • Light Bar, installation and satellite event, hosted by Art Gallery of Greater Victoria, Victoria, BC

2008

  • Say Nothing in Bright Colours, MKG Gallery, Toronto, ON
  • Light Bar, organized by Flaggfabrikken, Bergen Kunsthall, Bergen, Norway
  • What We Bring to the Table, Instant Coffee installation in group exhibition, curated by Marnie Fleming, Oakville Gallery, Oakville, ON

2007

  • If you lived here you’d be home by now, for Encuentro Internacional Medellín 07, Museo de Antioquia, Medellín, Colombia
  • If you lived here you’d be home by now, Henry Art Gallery Satellite, Bumbershoot Festival, Seattle, WA
  • Nooks, Mercer Union Gallery, Toronto, ON

Intermission

  • Intermission was Derek Brunen, Khan Lee, Marianne Bos, Brady Marks, Miriam Needoba, Natalie Purschwitz, and Steve Calvert; for a complete list of exhibitions see www.inter-mission.org/im

2003–06

  • Annual Intermission Event, hosted by Mercury Theatre, produced by Intermission for SWARM, organized by Pacific Association of Artist-Run Centres (PAARC), Vancouver

2005

  • Blow Out, Instant Coffee vs. Intermission installation/ performance, 69 Pender Gallery, Vancouver

2003

  • Raw On, Intermission performance, IM Studio, produced by Video In, Vancouver

2001

  • Prohep, Intermission installation/ performance, Western Front, Vancouver